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| Although the nature and nurture factors can
conspire to create martial artists with extraordinary abilities,
they don't make supermen, says Richard Ryan (right). Photo by
Rick Hustead |
While traveling, I occasionally run across tales
of martial arts supermen who cannot be beaten. You know the stories: "My
friend's cousin knows so and so, who knows a guy who trained with
a master who was so fast you couldn't see him move and so powerful
he could break your spine with a flick of his wrist."
The counterpart to those stories involves secret
super systems to which no other art supposedly compares. The techniques
are said
to be unstoppable.
Such tales always remind me of "The Karate Kid."
In the movie, Mr. Miyagi (played by Pat Morita) teaches Daniel LaRusso
(Ralph Macchio)
how to defend himself against a group of marauding karate bullies
who train at a nearby dojo. When Daniel decides to enter a tournament
to confront them, Miyagi teaches him a secret Okinawan technique
passed down from generation to generation. Describing it, he says, "When
done right, no can defend."
And sure enough, despite having an injured leg,
Daniel proceeds to win the tournament with the one move no opponent
can stop. Back
in
1985, that technique became part of our collective consciousness.
Everyone was going around standing on one leg with their hands
in the air just like in the movie.
Is there such a thing as the ultimate style or
the ultimate technique that no one can defend against? Unfortunately
not. There isn't
a "no
can defend." Every style, system, strategy, technique, tactic,
action and maneuver can be countered. No single art has a monopoly
on the truth of combat.
In wing chun kung fu, there's a saying:
For every attack, there's a counter. It's a fundamental piece of
reality that
all martial
artists should know and all students of self defense should embrace.
There's
more than one way to skin a cat, and so it is with the martial
arts. Human beings are nothing if not creative and adaptable. As
a result,
we've devised an incredible spectrum of techniques and tactics
for interpersonal combat. Some focus on the hands while others
emphasize
the legs. Some concentrate on pressure points while others specialize
in grappling.
The truth is, no single method can boast that
it's better than all others because in the real world, there are
an infinite number
of
ways the martial arts might be applied. Take the factors of environment
and situation, for example. Some may boast that striking is the
ultimate "no
can defend" technique, arguing that when done correctly, it
can drop an attacker in the blink of an eye. Certainly there's some
truth to that. Short of using a club, knife or gun, striking is often
the most effective way to end a fight quickly. But does that make
it the ultimate martial arts technique? Hardly. There are many situations
in which strikers find themselves in big trouble. Try doing a roundhouse
combination in an elevator, or staying on your feet and bouncing
around on slick pavement when it's raining. There are times when
every tactic can be valid —or invalidated—based on
a situation or the environment. Everything can work, be defeated
or
be defended against under the right circumstances.
So what about those martial arts supermen? Are
there people who are capable of performing feats above and beyond
the rest of us?
Again,
the answer is no. Just as there are no super-systems, there are
no supermen. Such stories are the martial arts equivalent of old
wives'
tales and fables. Human beings are human beings. We all have two
arms and two legs. We all are composed of flesh, blood, muscle
and bone.
But that's not to say there aren't people among
us with extraordinary abilities. There certainly are, but extraordinary
doesn't imply
superhuman. The differences in personal ability usually stem from
a combination
of nature and nurture. Bruce Lee, for example, was certainly gifted,
but he wasn't superhuman. His incredible speed was the result of
genetics and years of training and experience. Certainly he must
have had a higher degree of fast twitch muscle fibers, which provided
him with the genetic potential to be faster than most people, but
he also worked long and hard to take advantage of his physical
gifts.
A story that's often told of a Lee home-training
session says it all. One student reportedly remarked that jeet
kune do was the
best martial art in the world. Lee frowned and said, "Oh really,
you think so?" He then reportedly sparred with the student,
using only karate techniques, and administered a sound beating.
Obviously, Lee would have been great no matter which art he practiced.
One of the rules I teach is similar: People make
systems; systems don't make fighters. In other words, no matter how
good an art
may be, it's only as good as the person using it. People get into
fights;
systems don't.
I've met numerous martial artists and taught side
by side with the best in the world including Frank Shamrock, Joe
Lewis, Bill
Wallace,
Tony Blauer, Walt Lysak Jr., Michael DePasquale Jr., Dana Abbott,
Kelly Worden, Lamar Davis 11 and Mike Lee Kanarek. All of them
possess extraordinary abilities, which they've developed through
years of
study and sweat, and just like Lee, they're a product of both nature
and nurture.
The search for excellence in any art is ultimately
a personal quest. It's not about which style is better or who can
beat whom. It's
not about finding the ultimate "no can defend" technique.
After all, as Lysak likes to say, if there was one technique or
method
that always worked, that's the one we'd all be practicing.
Those martial artists who are primarily concerned
with reality-based fighting must embrace diversity in thought and
technique. They
must develop all aspects of combat and leave no subject matter
untouched.
Strikers need to grapple and grapplers need to strike, but it transcends
that. It also means being prepared for all possibilities. Only
in this way can we avoid the "no can defend" trap.
About the author. Richard Ryan is the founder of
the Dynamic Combat Method and co-founder of Integrated Combative
Arts Training. For more information, visit http://www.blackbeltmag.com and click on Community, then Black Belt Authors.
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